Showing posts with label Juxtapoz. Show all posts
Showing posts with label Juxtapoz. Show all posts

Wednesday, April 25, 2007

lowbrow rising

Juxtapoz "art & culture magazine" is now the third largest selling art magazine, a marker of cultural currency for a movement that only appears to be growing.

Initially I dismissed it because I judged that approach to art to be lacking in what DJ Martinez refers to as simultaneity. In other words, it is characterized by skill, aesthetics, formal concerns, but where are the ideas, content, and politics?

Now, as it continues to exert ever greater influence on visual culture, it can no longer be ignored and I find myself fascinated by it, and needing to reexamine my own perceptions and values around art. Is the seemingly gratuitous obsession w/illustrational aesthetics and childish imagery, often put forth with nihilistic attitude, a more honest expression of our collective existence at this moment in time? Is the notion of an art of resistance that dares to challenge the audience a la Beuys or Martinez simply outre and out of touch, now seen as hopelessly naive?

what's your take on the visual culture represented by juxtapoz?

Thursday, April 19, 2007

Reminder: It's all about the Ideas/Medium is just medium

You're known for highly stylized, aesthetically seductive films. With Dumbland, it seems you're exploring the other end of the visual spectrum. Is running the gamut from high to low part of your obligation as artist? Has it been cathartic for you?

No, it's not about that at all. It has to do with the ideas. When you get an idea, it tells you pretty much everything you need to know. There are 65mm ideas, and then there are crude Flash ideas, and then there are DVD ideas or painting ideas or furniture ideas. When I started getting ideas for one thing after another, they just happened to go with the drawing style you see in Dumbland. And as I'd do the drawings, more and more ideas would come to me.

--David Lynch, interviewed in Juxtapoz, March 2006 #62, p37.

Artists transform material, and that material can be almost anything, including ideas or social formations. This is what Beuys meant by “social sculpture.” For Beuys, art involved the transformation of matter into spirit.

--David Levi Strauss